Art Contemporary And The Legalities

By Ross Faulds

We all know that art contemporary is the ultimate way to express yourself freely. With the limitlessness of art contemporary, it is inevitable that some artists may take the boundaries a bit too far.

The President Barack Obama by John Drew

If you wanted to be stereotypical, you would think that all artists are leftist, extreme hippies; that's not the case. Artists come from different walks of life and use the art contemporary form as the ideal way to express themselves.

However, art, an eternal way of communicating your views to the masses, will always be used for over-the-top preaching, political activism and provoking the thoughts of others who try to enforce their own ideas onto you. This is inevitable, as long as artists are allowed to express themselves as freely as they want to. Rebellious artists may go too far sometimes, and we can all think of examples of this, but I feel that we can't really do too much to remedy this problem. The only way to sort out the troublemakers would be to put limits and boundaries into art contemporary, and that can never be allowed, otherwise the foundations of art contemporary itself would collapse overnight.

Art contemporary exemplifies the idea of true of self-expression. If some people do express the wrong ideas, or if they produce works that insult or cause harm, then the authorities should deal with these problems individually. Laws shouldn't be created in art world; that would render the idea of real art contemporary impossible.

ArtTraffic.co.uk gives you guys, the buyers and sellers, the best selection of limitless art contemporary available anywhere on the internet. You, and anyone else, can buy and/or sell stunning art contemporary, all of which has been screened and checked by the Art Traffic team and monitored for unlawful images, online. It's all available at prices that suit you, whatever your income.

Self-expression is Art contemporary. Sometimes, artists take that definition too far, but let us all remember not to let a tiny minority spoil it for everyone else. Don't let them have a negative effect on the beautiful work of many.

Go to http://www.arttraffic.co.uk R - 32160

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Art Contemporary Talent, What's New?

By Ross Faulds

Art contemporary is a movement, an ongoing community of artists, that began in the aftermath of WWII and has spanned up until the present day. There are millions of artists around the world that express themselves in more ways and utilize more techniques than it would be possible to track. It is this fact, this ability to be free, that makes art contemporary so incredibly interesting. There is no uniform style or technique that brings art contemporary together as a community. The only tie between everybody is that anybody can do anything to express their emotions and thoughts.

Through art contemporary art has been made available to everybody. Greasy individuals in dark rooms that smell of rancid toenails and grotty armpits are the people that we use to think produced art. The realm of beautiful expression has involved and now anybody can enter. People from all walks of life can now be proud of the art contemporary that they buy or produce. David James, a modern day soccer player can even create wonderful works of art without being worried about common misconceptions or being stereotyped.



Art is cool!

It is for this reason that new art contemporary talent is readily available and can be found coming up through schools, colleges, even coming out of long-term careers and lifelong passions. With the impressive influx of new artists producing art contemporary, art contemporary talent is now everywhere.

Art contemporary is exciting and it's upon us!

Find the best selection of new art contemporary on the internet at www.arttraffic.co.uk. We help young and established artists to sell their art contemporary to buyers across the world by helping them create global connections and networks. Hundreds of new artistic talents are getting a leg up in this new art contemporary world by making arttraffic their home. Art Traffic

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Chuck Rosenthal, Artist - Beginning A Painting

By Penny Logan

If an artist wants to be gin a painting, what does he do? We interviewed artist Chuck Rosenthal to get some insight into the creative process. He has no problem getting started with a new work of art, and probably has more ideas in his head than there will ever be time to paint on canvas. But he doesn't stare at the white canvas or consult a crystal ball.

A painting begins with choosing a subject to paint. Mr. Rosenthal paints comparably realistic scenes, so he chooses his subjects from life. He enjoys painting still life scenes, which gives him complete control over the placement of the subjects and the arrangement of the light on them. But he also paints people, beaches and landscapes. He says he likes to use a camera to photograph scenes to paint, but still sometimes struggles when trying to decide on a position from which to photograph a landscape.

He is always looking for something visually exciting - the people or building - the subjects themselves - or the way the light affects them at a certain time of day. As mentioned in an earlier article, contrasts of color and light and dark are what Chuck Rosenthal paintings are all about.

Mr. Rosenthal also mentioned things he kept in mind while searching for subjects and while painting: "I am influenced by very good painters when I seek to do anything. I picture the works that they have done and try to keep in mind those really fine works that I have seen when I'm working."

As for the next step, getting the paint on the canvas, Mr. Rosenthal said that he sometimes varies his methods from painting to painting. But the most usual way he begins is by drawing the large shapes with charcoal onto the canvas. He uses brush and paint to sketch in the larger dark shapes in the painting in the beginning.

He likes to work over the entire canvas at one time, as opposed to painting one small section and finishing a painting section by section. In order to get both dark and light tones to show up clearly on the canvas when he is painting, he used canvas that is not bright white, but a middle shade. He works from dark to light, applying the lightest paints last.

The painter lastly punches up the light tones of the painting. He said, "I'm always trying to find what might be called the "home-run" light in a painting, that part of the painting where you can really smush the light on, using lots of impasto and texture." As we think of light as something so ethereal and lighter than air, it may seem strange that a painter has to actually paint light. But they do.

To get more of an idea of how this artist paints, view some of his paintings. "Construction Workers, Clearwater, Florida" is a painting that clearly demonstrates the artist's concern with contrast and shapes of light and dark. Actually, any of his paintings show this - from his still life paintings, to children on the beach, to landscape scenes. We invite you to view them all. - 32160

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